PUBLICATIONS
Journal Articles
All the articles can be directly downloaded by clicking the link. The language of the entries is Russian (except is otherwise specified).
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S.Zizek. Alfred Hitchcock, or The form and its historical mediation (Transl. by A.Gornykh).
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A.Ousmanova. The Indecent Hints: Hitchcock is experimenting.
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E.Tolstik. The “Necrophily” of Art (some notes on the topics of death and art in Hitchcock’s films).
The Problem of the Other in Contemporary Philosophy
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A.Ousmanova. Representation as Appropriation: on the Existence of the Other in Discourse.
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J.Solovjeva. On “spaces, moments and breaks”: the specificity of “a view on visuality” of W.Benjamin.
Philosophy and Art
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V.Bimel. Appearance and occurrence in art (transl. by O.Shparaga).
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P.Celan. Poems from “Poppy and memory” (transl. by O.Shparaga).
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M.Rölli. The aesthetic of Nietzsche in the light of his Critique of Metaphysics.
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E. Elisbarashvili. Narratology, methodology: Nietzsche and Platonian paradigms.
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G.Hiltmann. Do philosophical concepts have gender? (in German).
Visual as violence
Visual culture research
Topography of Culture
Ethical Dimension
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D.Heller. Nationalism as commodity: selling 9/11 (transl. by P.Legenchenko).
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A.Sarna. Catastrophe as a show: the representation of 9/11 events in television discourse.
Topography of Culture
Case Study "Belarus", Academy and Power, the Idea of the University
Selection and Elections: The Problem of Choice
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A.Ousmanova. The deconstruction of the canon: postclassical ‘studium’ of Ruslan Vashkevich.
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D.Elkins. Six Ways to Make Visual Studies Harder (transl. by A.Denishchyk).
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V.Konstantiuk. The Aesthetic vs. The Social or How Beauty Will Save the World.
Modern Biotechnologies and the Transformation of Human Image
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E.Tolstik. Phenomenology of Vision. Cinematographic Experience.
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A.Sarna. Videoclip as a “Detonator” and Aesthetic After “the Big Bang”.
Feminism and Philosophy: rethinking the Legacy of Simone de Beauvoir
Critique and Clinic. Psychoanalysis between Individual Traumas and Social Symptoms
University without Philosophy?
Marxism in the Epoch of Late Capitalism
The Idea of Community: Theories and Practices
Reconsidering the Concept of Subject in New Theoretical and Practical Contexts
TechnoLogos: Social Effects of Contemporary Bio- and Informational Technologies
Sharing Experience: Norms, Values, and Interactions
E-effect
P.S. Soundscapes
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M. Yashchanka. Subjectivity in Sound: Listening to Anton Sarokin’s «Postfilmia».
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G. W. Gumbrecht. What Makes Music Irresistible? / The Freedom of Janis Joplin’s Voice.
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B. Cope. Research into/around Sounds in Poland: An Interview with Michał Libera and Daniel Muzyczuk.
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M. Barski. Sermons over Modern Talking: On Listening to Private Tapes from the 1980s.
Logos and pathos. Humanities in the condition of war
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V. Korableva. THE END OF «THE END OF HISTORY»: OUTLINES OF A NEW WORLD AMIDST A «HYBRID WARFARE».
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B. Kashnikov. TERRORISM, JUSTICE AND ABSOLUTE WAR. HOW MANY HORSEMEN OF APOCALYPSE?
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I. Podporin. HERMENEUTICS OF WITNESS AS A PROGRAM OF INTERPRETATION OF WAR.
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A. Gornykh. INTERNAL ENEMY IN THE INFORMATION WAR (DONBASS IDEOLOGICAL PALIMPSEST).
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A. Kryvalap. TO AVOID WAR: TRUST AS A BET AND TARGET FOR INFORMATIONAL WAR.
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A. Sarna. THE WAR OF DISCOURSES ON THE BORDER OF THE PRIVATE AND THE PUBLIC.
ROLAND BARTHES’ TIME
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A. Fleischer. Roland Barthes and Photography, or the Revelation of the Images.
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O. Davydova. Photographic Time and Affect in Film: Project of Roland Barthes’s Film Theory.
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G. Rusetskaya. Reading What Does Not Cease to Not Writing. A Lover’s Writing (by R. Barthes).
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A. Gornykh. Photography as a Medium: Proust’s Punctum in the Lacan’s Mirror.
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V. Kanstantsiuk. The Letter of Pleasure and Jouissance: Between Barthes and Lacan.
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A. Ousmanova. The Poetics of the Unspeakable and «Le Filmique» in the Works of Roland Barthes.
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M. Smith. To Seminar, or Not to Seminar, That Is the Question.
SHIFTING THE BORDERS: TRANSFORMATIONS OF SUBJECTS, BODIES, AND PRACTICES IN THE ERA OF NEW MEDICAL TECHNOLOGIES
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E. Kovtiak. DEALING WITH DEPRESSION: SHIFTS IN APPROACHES TO EMOTIONAL SELF-CARE IN MINSK.
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V. Lekhtsier. COMING OUT IN THE «REMISSION SOCIETY»: TO ARTHUR FRANK’S THEORY OF TESTIMONY.
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I. Poleshchuk. TEMPORALIZATION OF MOTHER-CHILD RELATION: EXPERIENCE OF CHRONIC PAIN.
IN MEMORIAM. VLADIMIR FOURS
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G. Mažeikis. FOURS AND PATHOLOGIES OF THE “TRANSITION” IN THE POST-SOVIET MODERN.
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A. Dmitriev. SOCIAL IMAGINARY, ADVENTURES OF AUTONOMY AND INTELLECTUAL HISTORY.
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V. Davydzik. TRANSFORMATIONS OF THE NATIONAL IN THE CONTEXT OF REGIONALIZATION AND LOCALIZATION.
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A. Gornykh. ANTHROPOLOGY OF VALUE: DESIRE AND COMMUNICATION (B. MALINOWSKI, J. LACAN).
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M. Martynov. FURTHUR AND THE PROBLEM OF ANARCHIST IDIORRHYTHMY.
VOTING OVER CONTESTED ISSUES — VOTING AS A CONTESTED ISSUE
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S. Schmäing. “DICTATORSHIP OF APPLAUSE”? THE RISE OF DIRECT REPRESENTATION IN CONTEMPORARY UKRAINE.
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R. Jeremias. PRIMARY ELECTIONS IN THE USA: BETWEEN REPUBLICANISM AND DEMOCRACY.
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P. Rudkouski, T. Shchyttsova, A. Yahorau, T. M. Bohn. AFTER VOTING.
OVERCOMING AUTHORITARIANISM: BELARUS AND THE EASTERN EUROPEAN REGION 30 YEARS LATER
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T. Shchyttsova. OVERCOMING AUTHORITARIANISM: PATH-DEPENDENCE AND NEW CITIZENSHIP.
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D. R. Marples. ANSWERS TO QUESTIONS FROM THE EDITORIAL TEAM.
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M. Jaroszewicz. ANSWERS TO QUESTIONS FROM THE EDITORIAL TEAM.
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E. Gapova. THE BELARUSIAN ANTI-AUTHORIATRIAN CITIZENS’ REVOLUTION.
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R. Miniankou. BELARUSIAN PROTESTS OF 2020 IN COSMOPOLITAN DIMENSION.
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V. Matskevich. RESPONSING FOR YOURSELF. NOTES OF A HARMFUL PHILOSOPHER.
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U. Ivanoŭ. THE PHENOMENON OF WOMEN IN WHITE: THE GENDER DIMENSION OF THE BELARUSIAN PROTESTS OF THE SECOND HALF OF 2020-EARLY 2021.
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A. Sarna. COMMUNICATIVE DESIGN OF THE URBAN ENVIRONMENT IN THE PROTEST SUBCULTURE.
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V. Dziadok. REVIEW OF PUBLICATIONS, DEDICATED TO THE PARTICIPATION OF WOMEN IN PROTESTS OF 2020.
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V. Sliaptsova. BELARUSIAN POLITICAL CRISIS: A COLLAPSE OF PREEMPTIVE AUTHORITARIANISM.
REVIEW OF PUBLICATIONS, DEDICATED TO THE PARTICIPATION OF WOMEN IN PROTESTS OF 2020