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BA (in) Visual Culture and Creative Industries

MA (in) Cultural Studies

European  Нumanities University 

Journal Articles

 

All the articles can be directly downloaded by clicking the link. The language of the entries is Russian (except is otherwise specified).

 

PUBLICATIONS

BOOK SERIES

  • A.Gornykh, A. Ousmanova. Introduction to the rubric.

  • S.Zizek. Alfred Hitchcock, or The form and its historical mediation (Transl. by A.Gornykh).

  • A.Ousmanova. Shameful suggestions: experimenting Hitchcock.

  • E.Tolstik. The “Necrophily” of Art (some notes on the topics of death and art in Hitchcock’s films).

 

  • A.Gornykh. Hitchcock as a man of letters: the cinematography of horror as a modernist problem.

  • M.Bozhovitch. The man behind his eye.

  • V.Rubanik. The study of the phenomenon of remake through the lens of Gus van Sant’s “Psycho”.

  • E.Solodkaya. The new reality of “Psycho”.

 

  • A.Gornykh. Imaginary Other of Jacque Lacan.

  • A.Ousmanova. Representation as acquisition: towards the problem of the Other’s existence in discourse.

 

Marxism and visuality 

  • A.Gornykh. Narrative and visual form: a critical historization according to F.Jameson.

  • J.Solovjeva. On “spaces, moments and breaks”: the specificity of “a view on visuality” of W.Benjamin

 

The special issue on Philosophy and Art.

  • V.Bimel. Appearance and occurrence in art (transl. by O.Shparaga).

  • P.Celan. Poems from “Poppy and memory” (transl. by O.Shparaga).

  • M.Shapiro. Still-life painting as a personal object.

  • J.Derrida. Restitutions of the truth in pointing (pointure) (transl. by V.Rubinchik).

  • A.Haardt. Art in the light of future in Vladimir Solovyev and Friedrich Nietzsche (transl. by K.Liadskaya).

  • M.Rölli. The aesthetic of Nietzsche in the light of his Critique of Metaphysics

  • E. Elisbarashvili. Narratology, methodology: Nietzsche and Platonian paradigms.

  • G.Hiltmann. Do philosophical concepts have gender? (in German).

 

Visual as violence

  • A.Ousmanova. Violence as a cultural metaphor.

  • E.Glod. “Language-Body” opposition in Peter Greenaway’s The Pillow Book.

 

Topography of Culture

  • A.Gornykh. Dreams about army.

 

  • A. Zukauskaite. Gaze at/is My Desire (in English)

  • P.Barkovskij. Expectation of violence: the violence of expectation.

 

Visual and/as violence

  • D.Heller. Nationalism as commodity: selling 9/11 (transl. by P.Legenchenko)

  • A.Sarna. Catastrophe as a show: the representation of 9/11 events in television discourse.

 

Topography of Culture

  • A.Ousmanova. Umberto Eco - 70.

  • T. Stauder. An interview with Umberto Eco about his novel “Baudolino” (transl. by E.Ignatovich, ed. by A.Ousmanova)

 

Visual anthropology of Soviet culture

  • A.Ousmanova, A.Gornykh. Introduction.

  • E.Tolstik. The repressive construct of harmony.

  • A.Sarna. Sport, gender and nation (Riefenstahl + Rammstein)

 

Academy and Power

  • A.Ousmanova. Philosophy and the position of a critical intellectual today.

  • B. Cope. Beyond the Ruins of the University (in English)

  • A.Gornykh. Belarus: The Case of anti-modernist ideology.

 

Selection and Election

  • A.Gornykh. The Belarusian eternal comeback.

  • A.Ousmanova. The Belarusian détournement, or The Art of maneuver as politics.

 

  • A.Ousmanova. Destruction of the Canon: Postclassical Studies by Ruslan Vashkevich.

  • D.Elkins. Six Ways to Make the Visual Studies to a Serious Scientific Discipline. (transl. by A.Denishchyk).

  • V.Konstantiuk. The Aesthetic vs. The Social or How Beauty Will Save the World.

 

  • A.Gornykh. The Aesthetics of Cinema and Contemporaneity of History (World War II Representation in the Soviet Cinema)

  • E.Tolstik. Phenomenology of Vision. Cinematographic Experience

  • A.Sarna. Videoclip as a “Detonator” and Aesthetic After “the Big Bang”.

 

Feminism and Philosophy: Rethinking the Heritage of Simone de Beauvoir

  • A.Ousmanova. On marxist theory of love.

  • A.Ousmanova. Feminism and Philosophy: après Simone de Beauvoir.

  • A.Ihnatovich. Transgender Subjectivity and Cinema: the Experience of Transgression or the Experience of Borderline (in Belarusian)

 

  • A.Gornykh. Intelligentsia and the aesthetic of anti-communism.

 

  • A.Gornykh, L.Miheeva. The Instance of the Letter in the Psychobiography of A. Tarkovsky.

 

University without philosophy?

  • A.Gornykh. On Principles of Philosophy in Connection With Its Present-Day Ending.

 

  • V. Konstantyuk. Decoded Visual Streams: Capitalism and YouTube

  • D. Boychenko. Mobile Technologies and Information Age: Spread of Smartphones as a Tendency of Globalization

 

Marxism in the Epoch of Late Capitalism

  • А. Gornykh. Capitalism and Anxiety

  • V. Konstantsiuk. Mediation: Methodological Topicality of Psychoanalytical-(post)Marxist Synthesis in the Understanding of Media

​

The Idea of Community: Theories and Practices

  • Y. Martinavichene. Transformation of the Political Participation Idea: Rousseau, Rancière, Laclau 

  • A. Gornykh. On «co-». (Review on E. Petrovskaya’s Book Anonymous Communities)

​

  • Y. Martinavichene.  Postmodern Subject and Political Action (In English)

  • D. Boichenko. A Thousand Technologies: Fantasy on Rhizome, Evolution of Modernity and the Death of Spontaneity.

​

  • A. Ousmanova, T. Shchyttsova. Towards the Social Logic of Technoscience (Foreword).

  • D. Boichenko. Informational Terror: The Problem of Individual Autonomy under the Conditions of Digital Surveillance.

  • V. Konstantiuk. Media/Net Mediation as Social Mediation.

​

  • D. Boichanka. Cyborg normalized. Future life in a digital flow (in English)

  • Y. Martinavichene. Ernesto Laclau, The Rhetorical Foundations of Society, Verso: London, New York, 2014.

​

E-effect

  • A.Ousmanova. E-Burned Knowledge: the Production and Dissemination of Knowledge after the Digital Turn; 

  • L. Manovich. The Science of Culture? Social Computing, Digital Humanities, and Cultural Analytics (transl. by A. Vozyanov)

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